Intim Musik IMCD 071

Dedication Service for the St. Gertrude's Chapel, Hamburg, 1607

IMCD 071
Recorded at Örgryte nya kyrka, Göteborg
September 2000

Producer:
Willem Poot
Recording Engineer:
Erik Sikkema

The service
- [Church bells ringing]
1- Antiphon: Veni sancte Spiritus - Franz Eler, Cantica sacra (1588), p. 146
2 - Introit: In nomine Jesu - Bandovius/Pierre Bonhomme, Melodiae sacrae (1603), no. 16
3 - Organ Prelude: Praeambulum ex Clave E - Lüneburger Orgeltabulatur KN 146 (1650) no. 156
4 - Mass: Missa Deus misereatur nostri - Orlando di Lasso/Arnold Grothusius, Missa (1588)
6 - Salutation and Collect - Martin Luther, Deutsche Messe (1526)
7 - Epistle: Offenbarung Johannes - Revelation 21:15a
8 - Organ Prelude: Praeambulum ex Clave D - Lüneburger Orgeltab. KN 146 (1650), no. 155
9 - Motet: Alleluia. Cantate Domino Jacob Handl, Opus Musicum II (1587), no. 34
- [Gospel] Lucas 19:110, Wolder, Biblia sacra (1596)
- [Sermon] - Lukas van Cöllen (1609)
10 - Organ Prelude - Giovanni Gabrieli, in Bernhard Schmid, Tabulatur Buch (1607), no. 1
11 - Chorale: O Gott, wir dancken deiner Güt - Joachim Decker, Melodeyen Gesangbuch (1604), no. 58 with Organ verse from Celler Tabulatur (1601), no. 47
- [Blessing] - Johann Bugenhagen, De Ordeninge Pomerani (1529)
12 - Organ Prelude - Lüneburger Orgeltabulatur KN 208/1, no. 41
13 - Te Deum: Herr Gott, dich loben wir - Hieronymus Praetorius, Cantiones variae (1618), no. 36
14 - Lord¹s Prayer - Bugenhagen, De Ordeninge Pomerani (1529)
15 - Organ Prelude - Lüneburger Orgeltabulatur KN 208/1, no. 12
16 - Motet: Cantate Domino - Hieronymus Praetorius, Magnificat (1602), no. 4
17 - Salutation and Collect - Martin Luther, Geistliche Lieder (1529)
18 - Benediction - Bugenhagen, De Ordeninge Pomerani (1529)
19 - Organ Prelude - Celler Tabulatur (1601), no. 27
20 - Chorale: Sey Lob und Ehr - Joachim Decker, Melodeyen Gesangbuch (1604), no. 23
21 - Organ Postlude: Tokkata - Lüneburger Orgeltabulatur KN 208/1, no. 1
[PARTS IN BRAKETS IS NOT INCLUDED ON RECORDING]

Total time: 63.30

Göteborg Baroque Arts Ensemble
The Göteborg Baroque Arts Ensemble is an assembly of professional singers and musicians all with a special interest in performing older music. The core of the group is the vocal ensemble ³Göteborg Baroque Soloists² and Musik i Väst's instrumental ensemble Corona Artis. The majority of the ensemble's members received their musical education at the School of Music in Göteborg, and many have continued further study within the early music field.

Ulrike Heider born in Erlangen, Germany, studied church music and organ in Arnhem with B. Matter and H. van Nieuwkoop, choral and orchestral conducting in Zwolle with J. Leussink and T. Lehmann, and singing in Tilburg with R. Stewart. She is now organist of the Haga Church, Göteborg, and teacher of liturgical singing at the School of Music, Göteborg University. She is also founder and artistic leader of the medieval vocal quartet Schola Gothia.

From the booklet,
an introduction by Frederik K. Gable:
On Thursday morning, April 16, 1607, many professional musicians of Hamburg participated in a festival service dedicating for the third time the newly re-furnished St. Gertrude¹s Chapel. The music was so splendid that Lucas van Cöllen, the Chief Pastor of the nearby St. James¹s Church (Jacobikirche), described its performance in the published version of his sermon (reproduced following this commentary). This detailed account, supplemented by information from musical, pictorial, liturgical, and theological sources, makes possible a reconstruction of the full liturgical context. The service includes impressive double-choir works by Bonhomme and Lassus, a triple-choir motet by Jacob Handl, and the magnificent German Te Deum setting for four choirs of instruments and voices by Hieronymus Praetorius.

intimmusik@musiker.nu

Dedication Service for the St. Gertrude's Chapel, Hamburg, 1607
	IMCD 071 Recorded at Örgryte nya kyrka, Göteborg September 2000 Producer: Willem Poot Recording Engineer: Erik Sikkema
The service - [Church bells ringing] 1- Antiphon: Veni sancte Spiritus - Franz Eler, Cantica sacra (1588), p. 146 2 - Introit: In nomine Jesu - Bandovius/Pierre Bonhomme, Melodiae sacrae (1603), no. 16 3 - Organ Prelude: Praeambulum ex Clave E - Lüneburger Orgeltabulatur KN 146 (1650) no. 156 4 - Mass: Missa Deus misereatur nostri - Orlando di Lasso/Arnold Grothusius, Missa (1588) 6 - Salutation and Collect - Martin Luther, Deutsche Messe (1526) 7 - Epistle: Offenbarung Johannes - Revelation 21:15a 8 - Organ Prelude: Praeambulum ex Clave D - Lüneburger Orgeltab. KN 146 (1650), no. 155 9 - Motet: Alleluia. Cantate Domino Jacob Handl, Opus Musicum II (1587), no. 34 - [Gospel] Lucas 19:110, Wolder, Biblia sacra (1596) - [Sermon] - Lukas van Cöllen (1609) 10 - Organ Prelude - Giovanni Gabrieli, in Bernhard Schmid, Tabulatur Buch (1607), no. 1 11 - Chorale: O Gott, wir dancken deiner Güt - Joachim Decker, Melodeyen Gesangbuch (1604), no. 58 with Organ verse from Celler Tabulatur (1601), no. 47 - [Blessing] - Johann Bugenhagen, De Ordeninge Pomerani (1529) 12 - Organ Prelude - Lüneburger Orgeltabulatur KN 208/1, no. 41 13 - Te Deum: Herr Gott, dich loben wir - Hieronymus Praetorius, Cantiones variae (1618), no. 36 14 - Lord¹s Prayer - Bugenhagen, De Ordeninge Pomerani (1529) 15 - Organ Prelude - Lüneburger Orgeltabulatur KN 208/1, no. 12 16 - Motet: Cantate Domino - Hieronymus Praetorius, Magnificat (1602), no. 4 17 - Salutation and Collect - Martin Luther, Geistliche Lieder (1529) 18 - Benediction - Bugenhagen, De Ordeninge Pomerani (1529) 19 - Organ Prelude - Celler Tabulatur (1601), no. 27 20 - Chorale: Sey Lob und Ehr - Joachim Decker, Melodeyen Gesangbuch (1604), no. 23 21 - Organ Postlude: Tokkata - Lüneburger Orgeltabulatur KN 208/1, no. 1 [PARTS IN BRAKETS IS NOT INCLUDED ON RECORDING] Total time: 63.30	Göteborg Baroque Arts Ensemble The Göteborg Baroque Arts Ensemble is an assembly of professional singers and musicians all with a special interest in performing older music. The core of the group is the vocal ensemble ³Göteborg Baroque Soloists² and Musik i Väst's instrumental ensemble Corona Artis. The majority of the ensemble's members received their musical education at the School of Music in Göteborg, and many have continued further study within the early music field. Ulrike Heider born in Erlangen, Germany, studied church music and organ in Arnhem with B. Matter and H. van Nieuwkoop, choral and orchestral conducting in Zwolle with J. Leussink and T. Lehmann, and singing in Tilburg with R. Stewart. She is now organist of the Haga Church, Göteborg, and teacher of liturgical singing at the School of Music, Göteborg University. She is also founder and artistic leader of the medieval vocal quartet Schola Gothia. From the booklet, an introduction by Frederik K. Gable: On Thursday morning, April 16, 1607, many professional musicians of Hamburg participated in a festival service dedicating for the third time the newly re-furnished St. Gertrude¹s Chapel. The music was so splendid that Lucas van Cöllen, the Chief Pastor of the nearby St. James¹s Church (Jacobikirche), described its performance in the published version of his sermon (reproduced following this commentary). This detailed account, supplemented by information from musical, pictorial, liturgical, and theological sources, makes possible a reconstruction of the full liturgical context. The service includes impressive double-choir works by Bonhomme and Lassus, a triple-choir motet by Jacob Handl, and the magnificent German Te Deum setting for four choirs of instruments and voices by Hieronymus Praetorius.
intimmusik@musiker.nu